between here and there


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Mixing Art


Currently reading Jim Harrison’s novella,”The Ancient Minstrel” a piece mostly drawn from Harrison’s later life. In continuation of an earlier blog post I wrote accounts about artists working in multiple art forms Harrison writes specifically of this experience when he stretched beyond writing poetry:

When he started writing prose too, at first it felt like he was committing adultery, but he soon recognized that if he was working on a novel he also wrote more poems. Poetry started the workday. Pasternak told us, “Revise your souls to frenzy.” 

I continue to wonder how we make the work whole. It stands together,  it stands on its own. The work is what comes of us when we are a part of the world. An expression of relationship


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Mixed Media

 

I am trained to be an architect. But the images in my head cannot be stilled. Color in all ways, expression in multiple mediums. This fact has bothered me for quite some time. But then I started looking into the artists I admire. They all work(ed) in multiple mediums. It is only our consumerist tendencies that focus on artist’s expressions in one medium at a time. But if you take the time, you can understand that the work comes all the time, in many different ways. A painting, a collage, a drawing or sculpture. A building or jewelry. The artist does not limit him or herself, we only limit ourselves and the opportunity to fully experience the art made when we focus on a specific medium. It’s all art in the end.


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Conjuring 

  
Inspiration arrives at the unlikeliest of times. Casual and unexpected, we almost pass it by if not paying attention to what is in front of us. And if we ignore the gift we lose it forever. Like lightning bugs in a summer sky inspiration is fleeting. But if we grasp it and hold on for a moment before it leaves we can carry inspiration with us for a bit. But take care, it’s not with us forever. On the way out as it escapes our subconscious we have a moment to decide , take care now, pay attention now before the magic leaves forever. Mark it down. Make it real. 


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Creative inspiration 

  
Creativity is always here. Even if we are busy with the rest of life’s needs. It creeps in the Windows, crawls between boards. It will open the door if left unlocked. The beginning of a vision for what we don’t always know. We can push the vision away , and if it keeps returning, pay attention. This one may really need to come into to being.

Why this inspiration and not another? We will never really know. But we can ask ourselves if we are up to the challenge of the translation to reality. We can take inspiration on and change the world, one bit at a time, for the better.


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Presenting: lorirykerart.com

progress....

progress….

 

This summer presented some great experiences for me, and also some struggles. One thing I worked on that was uplifting is a new gallery website for my artwork.

 

We launched the site yesterday! Please help me out and visit the site and share this post so that the new site will gain some power on the interweb.

 

go to : lorirykerart.com

 

 

Thankyou for all of your support!

 

 

Lori


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The Search for Beauty

Sunrise o“We shall thus prevent our guardians being brought up among representations [music, sculpture, poetry, architecture] of what is evil, and so day by day and little by little, by grazing widely as it were in an unhealthy pasture, insensibly doing themselves a cumulative psychological damage that is very serious. We must look for artists and craftsman capable of perceiving the real nature of what is beautiful, and then our young men [and women], living as it were in a healthy climate, will benefit because all of the works of art they see and hear influence them for good, like the breezes from some healthy country, insensibly leading them from earliest childhood into close sympathy and conformity with beauty and reason…”

Socrates

Not much to say after reading this, but a lot of doing needs to occur.


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Making it Portable

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A significant condition to Remote Studio is that we are constantly moving, and out-of-doors most of the time. If you are joining us for Remote Studio to ensure that our discussions and your time to create are always at your fingertips bring the following items with you…

The Moleskine Notebook and Sketchbooks are great for carrying around, and they can help you establish a format for  documenting life-long creative practice. You can find these at most paper stores, and even Barnes and Noble is carrying most of them. So, no excuses about not being able to find them.

Moleskine Notebooks

Moleskine Notebooks

Bring one of these notebooks for taking notes and journaling look for this notebook, its about 5.5″ x 9″ and is a hardback. They are hardback, and come in different colors if black is not your thing.

ruled moleskin

Also, you will have time – and opportunity – to draw or paint while we are out. Please pick up one of these great notebooks:

moleskine sketch album

They are called a soft bound “sketch album,”  un-lined and is a horizontal format with perforated pages if you want to take them out to send home.

Also, bring one of the three options for drawing or painting with, and don’t worry if you don’t know how to use them. You can learn while you are here.

Oil Pastels

Oil Pastels

This small set of oil pastels is great to travel with. This particular set is available online from Cheap Joe’s. But I am sure you can find some at an art store near you. Word of warning, Michaels is NOT AN ART STORE. DO NOT BUY your pastels there because the quality is poor.

Water Color Set

Water Color Set

Water Colors in a small plastic box that are not in Tube format, but instead the hard pancake that you add water to. And don’t forget to bring a few paint brushes.

Or you could bring a small (12 or so) set of colored pencils with you.


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The Discomfort of Transformation

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“The things we want are transformative , and we don’t know or only think we know what is on the other side of that transformation . Love, wisdom, grace, inspiration – how do you go about finding these things that are in some ways about extending the boundaries of the self into unknown territory , about becoming someone else ?”
Rebecca Solnit,
A Field Guide to Getting Lost

I have spent a great part of my life on the edges of the known. In design, art, home, teaching…there is a certain solitary condition to being on the edge, the boundary that separates what you think you know from what you really know. Like Solnit, whose mantra is recognizable if you read enough of her, is about letting go, disappearing in order to discover yourself in the world , while also discovering the world …I teach from a similar philosophy .

Creative thinkers have this ability to imagine possibilities . Imagining another way of being, existence . From these contrivances comes the future. But the future is long ahead , no matter how soon we wish it would materialize . No great transformation comes over night , despite the moment of the epiphany. Dreaming requires commitment to bring a vision into a reality.