between here and there


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Ideal Reality

 

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to Institute….

to institute a new course in American literature. 3. to set in operation: to institute a lawsuit. 4. to bring into use or practice:.

a society or organization having a particular object or common factor, especially a scientific, educational, or social one.
“the Institute for Advanced Studies”
2.
archaic
a commentary, treatise, or summary of principles, especially concerning law.
verb
1.
set in motion or establish (something, especially a program, system, or inquiry).
“the Illinois Department of Conservation instituted a hunt to remove deer”
synonyms: initiate, set in motion, get underway, get off the ground, get going, start, commence, begin, launch;

Institutions of the industrial era are crumbling but our imaginations are as rich as ever. We see the changes everywhere as the new paradigm of impermanence gains presence and practice. Life is fleeting, moving, passing by, here and there and then gone. The Crumbling we are witnessing suggests that “the institution” is most defined by physical parameters . But it is clear from the definition of “institute” shown above that “to institute” is more about an idea than physical boundaries or constraints, and institution is more about the establishment of an idea or treatise than any set of built and physical conditions .

Our preconceptions lay within the parameters of commerce and industry when we imagine institution as something physical, rather than something that is real as an idea , while ephemeral in the physical world.

Such is the vision that launched Artemis Institute, which codifies an idea, an idea specifically bound to the relationship we experience and create between nature and culture.

From the idea to the reality, we gather together the institution into our imagination, blending the idea into a world view, expanding into a new sense of the world . All the while engaged in the idea, inhabiting a fleeting sense of place among meadows, a mountaintop , a cafe or sidewalk. All parts being a part of the community of life. Artemis Institute is simply an idea that is alive because people believe in it.


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The Search for Beauty

Sunrise o“We shall thus prevent our guardians being brought up among representations [music, sculpture, poetry, architecture] of what is evil, and so day by day and little by little, by grazing widely as it were in an unhealthy pasture, insensibly doing themselves a cumulative psychological damage that is very serious. We must look for artists and craftsman capable of perceiving the real nature of what is beautiful, and then our young men [and women], living as it were in a healthy climate, will benefit because all of the works of art they see and hear influence them for good, like the breezes from some healthy country, insensibly leading them from earliest childhood into close sympathy and conformity with beauty and reason…”

Socrates

Not much to say after reading this, but a lot of doing needs to occur.


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Reading Leopold

Louisiana Wetlands

Louisiana Wetlands at Sunset

I fell in love with the wetlands of Louisiana in part because I read Aldo Leopold, and in part because the grasses that wave against the blue sky of the Gulf remind me of the grasslands of the Great Plains of North America, which brings me back to the legacy of Aldo Leopold. I don’t use the word LOVE as a simple term, but as a description for that deep feeling we have when someone, thing, or experience moves our soul. That sense that we have when we believe we have found meaning in our world where so little existed before.

But this takes me a bit off-course, and the course I intend to take you on is the ground breaking trajectory of Aldo Leopold. Actually we will explore, his words, thoughts, and the legacy of Aldo Leopold.

As every Remote Studio begins, so will this one in the summer of 2015, with the reading of Aldo Leopold’s A Sand County Almanac, with Essays on Conservation from Round River. Even if you don’t realize it today, in a a few weeks you will. You will understand the great debt you owe Leopold for the places we call wilderness today, for the endangered species that are protected, for the idea that poetry can be found and experienced on the land, and then written about, and shared with all of us. That the fast paced day you spent online, driving in traffic, and answering texts, can be slowed down and valued relative to the place you find yourself: with the experience of sun, wind, scent and birdsong.

And if you wonder why we would be reading a book written by an activist (although he may not have called himself such) in 1949 , you only need to read the book to learn. The obviousness of this request will appear as you understand how necessary words written sixty-six years ago are in 2015.

Aldo Leopold’s book, the whole book, will be discussed at the end of the first week of Remote Studio, a week of hiking and making, with very little time for sitting still. To give yourself the opportunity to savor his words, thoughts, and to commit to your future, I recommend that you start reading the book before Remote Studio begins. And to take notes, and to write notes to yourself and underline passages you value in the book.Live in the book.  And perhaps someday, if you pay attention you will have a place you love, too.

From this place that Leopold provides we begin our journey with Remote Studio, and the understanding of why architects so desperately need to know the world as he saw it.

 

 

 


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Making it Portable

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A significant condition to Remote Studio is that we are constantly moving, and out-of-doors most of the time. If you are joining us for Remote Studio to ensure that our discussions and your time to create are always at your fingertips bring the following items with you…

The Moleskine Notebook and Sketchbooks are great for carrying around, and they can help you establish a format for  documenting life-long creative practice. You can find these at most paper stores, and even Barnes and Noble is carrying most of them. So, no excuses about not being able to find them.

Moleskine Notebooks

Moleskine Notebooks

Bring one of these notebooks for taking notes and journaling look for this notebook, its about 5.5″ x 9″ and is a hardback. They are hardback, and come in different colors if black is not your thing.

ruled moleskin

Also, you will have time – and opportunity – to draw or paint while we are out. Please pick up one of these great notebooks:

moleskine sketch album

They are called a soft bound “sketch album,”  un-lined and is a horizontal format with perforated pages if you want to take them out to send home.

Also, bring one of the three options for drawing or painting with, and don’t worry if you don’t know how to use them. You can learn while you are here.

Oil Pastels

Oil Pastels

This small set of oil pastels is great to travel with. This particular set is available online from Cheap Joe’s. But I am sure you can find some at an art store near you. Word of warning, Michaels is NOT AN ART STORE. DO NOT BUY your pastels there because the quality is poor.

Water Color Set

Water Color Set

Water Colors in a small plastic box that are not in Tube format, but instead the hard pancake that you add water to. And don’t forget to bring a few paint brushes.

Or you could bring a small (12 or so) set of colored pencils with you.


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Sleeping Well

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Over the years of sleeping in the backcountry I have learned what  provides for the best sleep. First, to be exhausted provides for a good night sleep, and not so much worry about the squirrel running around outside your tent in the middle of the night. Sleeping next to a creek is great, too. The running water lulls you to sleep.

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A tent appropriate to the conditions is also helpful. The conditions could be anything from waking up with 6 inches of snow on top of your tent, or balmy summer weather that only requires a fly or no tent – as long at there are NO mosquitoes.

What you sleep in plays a part- is it super cold and you need to sleep in everything you brought ? Or warm enough and you can get by with just your shorts?

But the two most important is the sleeping pad and the sleeping bag. So here are some guidelines to consider before you invest in what you hope will provide fora great night sleep.

First, do not think you are going to get away cheap on the bag. Unless you can borrow a good bag  one from someone, its gonna cost you. If the bag you are looking at looks like this, you definitely need to re-think your sleeping bag assumptions for the back country:

Backyard sleeping

Backyard Sleeping

Just for visual reference your sleeping bag for the backcountry should “look” more like one of these:

 

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These sleeping bags are lighter weight, more fitted to your body so that your body needs to generate less energy to heat the space of the bag, which keeps you warmer in the night. Sleeping bags are rated for the temperature you will be sleeping in, so think about the temperature lows in the mountains, or look them up on the web if you don’t know. You can expect 20’s, could be colder or a bit warmer. You can boost your warmth by wearing more clothes while sleeping. My bag for late spring/early summer backpacking is a 10 degree bag. It keeps me toasty in June.  To learn more about the type of sleeping bag you should be looking for take a look at the following links. And note, that when they describe the best bags they distinguish between the car camping sleeping bag and a backcountry bag. To be warm in your tents in the Rocky Mountains you will want to have a back county bag…

http://www.theactivetimes.com/best-sleeping-bags-backyard-and-backcountry-camping/

Check out these best- sleeping bag options:

http://www.theactivetimes.com/best-sleeping-bags-2013

Another reason I am warm when I sleep in the backcountry is because of the sleeping pad. The sleeping pad is not only a good cushion for sleeping on, but the type of “cushioning” provides insulation between yourself and the cold earth. Think about it this way, your body is warmer than the Earth at this time of year, so the cold ground just sucks the body warmth right out of you. Your body is jus like a building, without good insulation between you and the outside, your body warmth just escapes….

I do not recommend this type:

roll pad

If it rolls or folds, it is a solid material. They are bulky, hard to pack and less insulative.

Instead, consider one that looks like this:

pads

These hold air in them, which provides greater insulation value, flexes more with your body and is much smaller when packing. This brand show, Alps is good, but there are many others, and they come in lots of colors. If you can afford one that supports the full length of your body that is best because your feet won’t be cold in the middle of the night.

 
sleeping pads

This image gives you a good understanding of the difference in scale between a folding or rolled piece of foam and the pad that can be inflated on-site.

 

Consider warmth and comfort, not just in sleeping , but for the miles you will be hauling all the gear into the backcountry camp up into the mountains. The important point it that you will be hiking “UP” in altitude – and big difference from walking with heavy gear on flat ground….

 

 


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Cold Feet?

IMG_6676Yes. I know! Its cold out there. Don’t be bashful, maybe put some shoes on first and join us in making your contribution to Earthly Instructable: Winter Edition.

 

Interested?……Keep Reading.

This is a creative challenge from Lori Ryker, founder of Artemis institute and Anna Taugher of IAMACOLLECTION.

 Anna and I have teamed up to create a challenge to get you to collaborate with nature and get your creative juices flowing this winter. We hope you will join us in the first installment of Earthly Instractable: an online community challenge.

At the core of our existence is the desire to create and make. Regardless of scale we create everyday. The act of creation, which is activity combined with positive intention, can be as simple as setting the table for breakfast or baking a cake, and as complex as architecture or composing a symphony. All of these creative acts provide a connection for who and how we are in the world. They set-up, set-aside, negotiate, and connect us to the world we live in.

To take the opportunity to respond to the world from our own point of view provides the time for contemplation, interaction, and experience with the pure joy of nature.

We have been wondering what would come about if many, many, people were to take a bit of time in nature and spend it in contemplation and creation. This is our Challenge, take some time for yourself to “be” in nature, collaborate with and create something wonderful, wonderous!

Follow these simple steps for your semi-permanent creation:

 

First –

Step 1: Walk some distance into a natural area, stop at a place you feel comfortable in.

Step 2: Gather material that is straight in nature.

Step 3: Place the material into a cylindrical to semi-spherical shape, finished scale is up to you.

Step 4: Intertwine, wind, and connect the material until it is stable in its final shape, adding material as needed. (don’t forget it’s winter, ice and snow can be a great material to use)

Step 5: Place yourself inside your structure, en-joy.

Next-

Have a photo made of you in your Winter Earthly Instructable and post to Instagram no later than midnight February 16 with the following hashtag #earthlyinstructable

 AND THE  WINNER IS !

A winner will be selected from the top three submissions based on likes and comments submitted by midnight February 16. The winner will receive the inspiring book My People’s Dreaming: An Aboriginal Elder Speaks on Life, Land, Spirit and Forgiveness, Written by Max Dulumunmun Harrison and Peter McConchie, provided by Artemis Institute.

The winner will be announced through Instagram, and also on : iamacollection.com, loriryker.com, and on Facebook as Artemis Institute.


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Earthly Instructable: Winter

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A creative challenge from Lori Ryker, founder of Artemis institute and Anna Taugher of IAMACOLLECTION.

 Anna and I have teamed up to create a challenge to get you to collaborate with nature and get your creative juices flowing this winter. We hope you will join us in the first installment of Earthly Instractable: an online community challenge.

At the core of our existence is the desire to create and make. Regardless of scale we create everyday. The act of creation, which is activity combined with positive intention, can be as simple as setting the table for breakfast or baking a cake, and as complex as architecture or composing a symphony. All of these creative acts provide a connection for who and how we are in the world. They set-up, set-aside, negotiate, and connect us to the world we live in.

To take the opportunity to respond to the world from our own point of view provides the time for contemplation, interaction, and experience with the pure joy of nature.

We have been wondering what would come about if many, many, people were to take a bit of time in nature and spend it in contemplation and creation. This is our Challenge, take some time for yourself to “be” in nature, collaborate with and create something wonderful, wonderous!

Follow these simple steps for your semi-permanent creation:

 

First –

Step 1: Walk some distance into a natural area, stop at a place you feel comfortable in.

Step 2: Gather material that is straight in nature.

Step 3: Place the material into a cylindrical to semi-spherical shape, finished scale is up to you.

Step 4: Intertwine, wind, and connect the material until it is stable in its final shape, adding material as needed. (don’t forget it’s winter, ice and snow can be a great material to use)

Step 5: Place yourself inside your structure, en-joy.

Next-

Have a photo made of you in your Winter Earthly Instructable and post to Instagram no later than midnight February 16 with the following hashtag #earthlyinstructable

 AND THE  WINNER IS !

A winner will be selected from the top three submissions based on likes and comments submitted by midnight February 16. The winner will receive the inspiring book My People’s Dreaming: An Aboriginal Elder Speaks on Life, Land, Spirit and Forgiveness, Written by Max Dulumunmun Harrison and Peter McConchie, provided by Artemis Institute.

The winner will be announced through Instagram, and also on : iamacollection.com, loriryker.com, and on Facebook as Artemis Institute.


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Mission . Practice. Journey.

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On October 26 I wrote a post called “Beginning Practice” as a follow up to a small piece I wrote “Practicing” on September 26. Now comes the journey.

As I have been traveling to speak to students at universities these past few weeks I have been asking them a question Artemis Institute has been focused on since it’s first program in 1997. I ask them if they believe they have a specific journey in life. Almost all say “yes.” But the next question, ” do you know what that journey is?” Usually follows with their response of “no.” The “no” is the challenge for our future.

There is a big change of outlook occurring with this new generation of people who are of college age. No longer do they believe a degree at a university provides an unquestionable best trajectory for their lives, and certainly not a guarantee for happiness. Truths cannot be guaranteed by those guarding antiquated cultural models. The primary change I see ( as is evident by theses covers of current magazines) is that happiness and job is important, place is important to this generation. And journey is ultimately important. The journey is not just about the self, the journey for these folks includes interaction with community and environment. They want to make change happen. Change requires a clear mission, a practice for that mission, and commitment to take the journey.

The journey is the exploration of who and how we are in the world . There is no straight-line to the end game of success. That idealized trajectory is one of the biggest myths we have told ourselves since the Enlightenment. Interaction, cooperation, multiple considerations, multiple answers, and inclusion all lead us to a new form for being in the world beyond the myth.

Say “yes .” Take the journey.


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Adventure for the Future

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Artemis Institute offers immersion education programs that help connect us better understand the relationship between nature and culture.

Remote Studio is a design/build program based in the Rocky Mountains. A full semester credit is available.

Quest/Utah is a program in Southern Utah, open to all free spirits and also available for 3 elective credits.

Please spread the word, share this post. Send it to all who may be interested.

Apply now. Deadline March 1. 

General Information:  Artemis Institute 

Learn more about Quest

Learn more about Remote Studio 


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The arrival of Artemis

Artemis, protector of the wild

Artemis, protector of the wild

 

How you understand the World has a lot to do with your personal mythology. A fact I didn’t think of specifically until I met Sambo Mockbee. He had many lessons to teach, more than just the necessity of architecture. One of these lessons was how his active imagination passed through his personal narrative, his own mythology that resulted in how he lived his life. Sambo, if you spoke to him much, would let you know, life all came down to the mother goddess.

From his vivid mythology I began to recognize my own. And I also recognized the importance and empowerment of living my mythology. From living our mythology our Truth comes alive. A few years after this recognition I came upon the need to mark the earth, to leave a name, a call to being. This call was the need to create notification for the non-profit I was founding. It did not take me long to determine it’s name: Artemis Institute. 

Depending which era you rely on for the classical gods and goddesses, Artemis has a different role in the World. I choose the ancient and original responsibility she was given. Artemis, while she has expansive responsibilities, is the protector of the wilderness. She is not the Roman’s Diana, the protector of the Hunt, or those who are hunting. Artemis is deep in the woods, soft in the moss, hanging in the leaves, blue in the sky, watching for all the living creatures…remembering for us what today we forget and ignore: the need for the wild, the need to retain our own wildness. She is a protector, she is the magic that lies in our ancient memories of life before roads, buildings, and timekeeping. If we choose to honor and protect the wild, the wildness and the wild in ourselves – we are living the myth of Artemis. We are making real the magic of an idea of how to be in the world.