between here and there


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The arrival of Artemis

Artemis, protector of the wild

Artemis, protector of the wild

 

How you understand the World has a lot to do with your personal mythology. A fact I didn’t think of specifically until I met Sambo Mockbee. He had many lessons to teach, more than just the necessity of architecture. One of these lessons was how his active imagination passed through his personal narrative, his own mythology that resulted in how he lived his life. Sambo, if you spoke to him much, would let you know, life all came down to the mother goddess.

From his vivid mythology I began to recognize my own. And I also recognized the importance and empowerment of living my mythology. From living our mythology our Truth comes alive. A few years after this recognition I came upon the need to mark the earth, to leave a name, a call to being. This call was the need to create notification for the non-profit I was founding. It did not take me long to determine it’s name: Artemis Institute. 

Depending which era you rely on for the classical gods and goddesses, Artemis has a different role in the World. I choose the ancient and original responsibility she was given. Artemis, while she has expansive responsibilities, is the protector of the wilderness. She is not the Roman’s Diana, the protector of the Hunt, or those who are hunting. Artemis is deep in the woods, soft in the moss, hanging in the leaves, blue in the sky, watching for all the living creatures…remembering for us what today we forget and ignore: the need for the wild, the need to retain our own wildness. She is a protector, she is the magic that lies in our ancient memories of life before roads, buildings, and timekeeping. If we choose to honor and protect the wild, the wildness and the wild in ourselves – we are living the myth of Artemis. We are making real the magic of an idea of how to be in the world.


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Practice is Progress

design practice, by hand

design practice, by hand

That’s right, designing “old-school” style. No computer. No immediate gratification. But work. Lead to paper. Is this progress? For those of us who still believe that there is a necessary connection between hand and head as it relates to knowing and thinking, this is design process, and progress. One and the same.

Does that mean that I don’t believe in computers? Well, I’m typing on one right now. What it means is that it is critical for us to know what is the correct tool for the work at hand. And there is the “hand” again, tied to work. Use your hands folks, don’t go into auto pilot when you work with that 3-d modeling program. Engage with yourself and the world. Feel it through the work, that makes the work a practice.

More design work on the new studio that we will break ground on in the next few months…


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Experience and Place

utah no. 3, oil pastel

utah no. 3, oil pastel

About six months ago I did something I have never done before. At least not without arm twisting and a grade attached. I started sketching out-of-doors regularly. I did this to explore a new medium and because my schedule is so chaotic I don’t have much time to work in the studio on mono-prints. The process also allowed me to develop work while I traveled.

I am almost finished with the first book. Which I am amazed to have achieved, it itself. And I am even enjoying the process and exploration, and the new medium.

Here is one of the sketches, made while I was teaching Quest, in Southern Utah.

I would love to know what you think. Send me a note.

oil pastels

oil pastels


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Fear and Adventure

Today is a beautiful fall day. Blue sky, crisp. This morning there was frost on the ground, a warning that winter is coming fast. The sun is here now, and I must meet it outside – always a dilemma between making and nature.

We need both to make our lives real:

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Our dreams seem ephemeral
Our myths seem unreal
Action upon either seems impossible
How do we make our truth tangible
Unless we believe in them enough to take action? To give them wings..to make the imaginable real?
As we come into the season of half light lets close our eyes and breath possibility into what appears to be impossible. If each of us contributes a culture of possibilities will result.

What is unknown will grow from adventure instead of fear.


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Coloring the world

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Turns out you can teach an old dog new tricks!

My first piece of fused glass.

All part of the practice.


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Drawing the Next Reality

Design Sketch, Click Cabin

Design Sketch, Click Cabin

A critical aspect of designing architecture is that at it’s very nature the process creates tangible reality through it’s physical expression. Both understanding the existing conditions of the place and how the potential design fits into the place along with the ephemeral experience of life, changes reality, and is the great value and necessity of architecture. In its most positive propositions, these changes in our reality provide aspects of positive cultural transformation that change the way that we see the world and ourselves in it.

For the designer, the process is one of the great adventures of life.

 


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drawing table

drawing from life

drawing from life

Its Friday, and the weather is changing. From 90 degrees yesterday and full of sun, to blustery Fall.  By tomorrow most of the yellow and red left on trees will be bare. Tomorrow will be full of rain and wind. And here is where practice splits in time. To draw on the guest house I am designing (which is its own sort of reward) or to take a hike….

Practicing

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a practice of making

a practice of making

What we know, we can practice. We know ways of being, we practice these. These practices add up to a life, lived. We learn, believe and live differently. We practice our differences, and if we practice diligently there is a unique presence that comes to live on the Earth for a while. Practice has success, failure, sharing, love, making and challenge all wrapped up in time. We transform as we practice, as we move through the world every day. These posts found under “PRACTICE” are shared thoughts about practicing, and moments of my practice.

Let us all be brave to find the best way for each of us to Practice, to create a life that is full of moments of who we are.


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Nature and the Metropolis

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how do we find nature in a world that is overly built? And how do we convince those living in urban environments that the magic of nature is there among the streets and buildings and cars? That we have a choice to see or not to see.

We all make choices. to live fully immersed, or live a life half-way between what is built, what we build against and that which is unbuilt, that survives beyond us. We make choices to allow electronics to encircle our lives, to structure our days, and then we want to blame something that has no “legs” that it rules our lives.

Some of us just can’t cut it. Cannot take the relentlessness of humanity, its pain and joy. We cannot find the place, space, or time to recharge. To wake up happy the next day after some tumultuous previous day. Looking for some archaic purity that never really existed anyway. Because certainly in the “real” wilderness we would be hunted while hunting. Nature made calm, nature removed of its power and original struggles is nature controlled. These are degrees of the world held within our control, just a version of agrarian reality. The inability to soak into the fullness of humanity leads us to believe that we must choose its opposite, even though it might not exist anymore….

Learning to live with the wild wolf and the grizzly in spite of fear is easier for some of us than the trauma that arrives from the constancy of an overpopulated and densified piece of land we call a metropolis. But are we really learning to live with the wild creatures that are left on the planet? Or are we simply living beside them as we do in a city when we learn to tolerate the neighbors and their peculiar social activities that we cannot relate to? These are the annoyances of living.

The real issue is where do we come face-to-face with transcendence? Where do we feel at home most in a world that is difficult and risky to navigate? Where does our truth lie? Do the woods, stream, mountain and desert allow us to ignore the aspects of the world that we cannot fully come to terms with in the same way that thousands of people surrounding us on an urban street corner requires our attention more than any speck of nature that may be present at the same time and place.

believing that the urban condition reduces the presence of the natural world allows us to ignore the real work that must be taken on to retain a creative mind. Blaming the fact that we live in a dense human environment is no excuse to not daydream, to watch the moon rise or the sunset. To smell the rain on pavement. To see the green of plants growing between those things we build and then ignore.

I chose this more loosely defined, blurred environment between the built and the unbuilt, between the rural and the wild, between dogs running lose on the streets and grizzly bear swaggering down trails and mountainsides because it makes the most sense to me. This reality is the one that feels the most accurate to me, churns my mind and stirs my creativity. this place is where my god lives, where I transcend myself to something that extends beyond me. In this choice I gave up the day to day stimulation of a collective human nature, a creativity that feeds upon itself. I gave up the experience of the constantly spinning greatest cultural expressions. And I am willing to go without this, while recognizing what I lose and what I gain. This giving up is not to say that a certain great culture does not exist where I live. Great culture abounds, but it is not the culture that grows from the human intensity of a metropolis, not the culture that spins at such a high rate that change happens in the single spin of the earth.

But what I find difficult to accept is those who live in these places of great human density, where the built rivals the unbuilt, who claim that there is no inspiration where they live that comes from nature. That there is no ability to capture transcendence in their lives, in the things they make, in the raising of their children. We must all seek out the truth of the places where we live. This is our responsibility. If we do not easily find the truth then we must seek it out. Truth is us in nature, however large or small. Truth is the rain we run from on a winter day, it is the line of grass that arrives between the cracks in the concrete, it is the sun that rises on one side of the city and sets on the other, with all of the colors that come with it. Truth is the reflection of sun on our buildings. Truth, if we recognize it, is transcendence, the vastness of the world and our smallness in it.